Thursday, September 14th, 2017
Center for New Music
55 Taylor Street, San Francisco
$10.00 General Admission / free for Cinematheque members
Presented in association with San Francisco Cinematheque.
“New Beginnings inaugurates a recurring curatorial endeavor oriented to the presentation of historic works of international artist-made cinema in the contemporary context. This new seasonal series intends to open space for new cinematic encounters, revive interest in forgotten (or not forgotten) classics, to problematize canons through the unearthing of unsung cinematic oddities, to provide fresh insights to well-known works, and to offer opportunities for guest curatorial input and experiment.
New Beginnings kicks off Larry Gottheim’s Mnemosyne, Mother of Muses (1987), a dense and swirling cinematic palindrome and tour de force of sound/image collision. ‘As his patterning principle becomes clear, the pleasures multiply: the anticipation of its logical carry-through, the satisfaction of repetitions and the discovery of patterns within patterns, the effort of recalling and identifying sources…as disparate elements are brought together, an increased awareness of the associative power and potential of sound/image relationships, indeed, of the cinema.’ (Kathy Geritz, Pacific Film Archive). Mnemosyne is followed by Su Friedrich’s Sink or Swim (1990), a landmark work of personal cinema exploring inherited generational trauma and the toxicity of the gendered nuclear family in mid-century America. Recognized as a feminist classic, Sink or Swim fuses elegant film formalism and an analytical method of exposition with sensuous photography and deeply personal narrative—’a collage of extraordinary richness, a portrait of a persona that is somewhat less than unified.’ (Fred Camper). A Child Goes Burying Dead Insects, Rei Hayama’s 2009 rumination on play, death and regeneration concludes the program.” -SF Cinematheque
Canyon Cinema is thankful for the long term support of the George Lucas Family Foundation. Dedicated project funding for Canyon Cinema 50 has been generously provided by the Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts, Owsley Brown III Foundation, Phyllis C. Wattis Foundation and The Fleishhacker Foundation.